{"id":11,"date":"2016-09-27T16:44:02","date_gmt":"2016-09-27T16:44:02","guid":{"rendered":"http:\/\/theexotic.ch\/?page_id=11"},"modified":"2023-04-29T20:27:42","modified_gmt":"2023-04-29T18:27:42","slug":"publication","status":"publish","type":"page","link":"https:\/\/theexotic.ch\/?page_id=11","title":{"rendered":"Publications"},"content":{"rendered":"

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No\u00e9mie Etienne, Claire Brizon, Chonja Lee, Etienne Wismer (dir.), Une Suisse exotique? Regarder l’ailleurs au si\u00e8cle des Lumi\u00e8res<\/a>,<\/em> Zurich, Diaphanes, 2020, 376p.<\/strong><\/p>\n

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No\u00e9mie Etienne, Claire Brizon, Chonja Lee, Etienne Wismer (ed.), Exotic Switzerland? Looking Outward in the Age of Enlightenment,<\/em><\/a> Zurich, Diaphanes, 2020, 376p.<\/strong><\/p>\n

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Claire Brizon, Colonial Collections. At the Origins of the Early Non-European Collections in Swiss Museum<\/em>s, Geneva, Edition Seismo, 2023.
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Free for download, entirely OA: https:\/\/www.seismoverlag.ch\/fr\/daten\/collections-coloniales\/<\/p>\n

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Ya\u00eblle Biro and No\u00e9mie Etienne (eds.), Rhapsodic Objects. Art, Agency, and Materiality (1700-2000), <\/em>Berlin\/Boston, De Gruyter, 2022.<\/strong><\/p>\n

Freely available on Open Access.<\/a><\/p>\n

Circulation and imitation are key factors in shaping the material world. The authors in this volume explore how technical knowledge, immaterial desires, and political agendas impact the production and consumption of visual and material culture across times and places. Their essays map multidirectional transactions for cultural goods in which source countries can be positioned at the center. Rhapsodic<\/em> \u2013 literally to stitch or weave songs \u2013 paired with objects \u2013 from thrown against \u2013 intertwines complexity and action. Rhapsodic objects<\/em> thus beckons to the layered narratives of the objects themselves, their making, and their reception over time. The concept further underlines their potential to express creativity, generate emotion, and reveal histories \u2013 often tainted with violence.<\/p>\n

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The Art of the Anthropological Diorama<\/em>. Franz Boas, Arthur C. Parker, and Constructing Authenticity,<\/em> Berlin, De Gruyter, 2021.<\/a><\/strong><\/p>\n

Dioramas are devices on the frontier of different disciplines: art, anthropology, and the natural sciences, to name a few. Their use developed during the nineteenth century, following reforms aimed at reinforcing the educational dimension of museums. While dioramas with human figures are now the subject of healthy criticism and are gradually being dismantled, a thorough study of the work of artists and scientists who made them helps shed light on their genesis. Among other displays, this book examines anthropological dioramas of two North American museums in the early twentieth century: the American Museum of Natural History in New York, and the New York State Museum. Sites of creation and mediation of knowledge, combining painting, sculpture, photography, and material culture, dioramas tell a story that is always political.<\/p>\n

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No\u00e9mie Etienne<\/span>, “Who cares? Museum conservation between colonial violence and symbolic repair,” in<\/span> Museums & Social Issues<\/em>, Tyler & Francis Online, 2022,<\/span> DOI: 10.1080\/15596893.2022.2057413<\/a><\/span><\/strong><\/p>\n

Who cares Museum conservation between colonial violence and symbolic repair<\/a><\/p>\n

Recently, museums have been under growing scrutiny. The public debate has focused mainly on two things: The way cultures and objects are presented and displayed in museum galleries and the questions of restitution. However, 80\u201399% of a museum’s collection is and will probably remain in storage. This paper changes the focus from exhibition or restitution to conservation, understood as a set of practices preserving and giving access to art and material culture. More precisely, I study preventative conservation and collection management as political actions. Building upon the unvaluable work carried by conservators in the US and beyond, but also including other voices and alternative gestures, I aim to start a conversation about what conservation could be in a postcolonial museum.<\/p>\n

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No\u00e9mie Etienne, “Les objets retouch\u00e9s. Adam Weisweiler et la vie des laques asiatiques en Europe \u00e0 l’\u00e9poque moderne,” in Objets Nomades, A. Fennetaux, A.-M. Miller-Blaise et N. Oddo (eds.), Turnhout, Brepols, 2021, pp. 180-194.<\/a><\/p>\n

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Lustro, Laca e Liotard. T\u00e9cnicas e Texturas entra Asia e Europa, in Obras 2021, trad. Maria Cristina Volpi.\u00a0<\/a><\/p>\n

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No\u00e9mie Etienne, Les autres et les anc\u00eatres. Les dioramas de Franz Boas et Arthur C. Parker \u00e0 New York, 1900, <\/em>Paris\/Dijon, Les presses du r\u00e9el, 2020. \"\"See more on the publisher’s website<\/a>.<\/p>\n

Download Full Introduction<\/a>.<\/p>\n

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Claire Brizon, “Collections Coloniales? L’implication de la Suisse dans le processus\u00a0 d’expansion coloniale europ\u00e9en au si\u00e8cle des Lumi\u00e8res”, Tsantsa, 24,<\/em> 2019, 24-39.<\/p>\n

Read Article<\/a>.<\/p>\n

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Chonja Lee, “Bedruckte Bauwolle,” XVIII<\/em>, 9, 2018, 53-71.<\/p>\n

Read Article.<\/a><\/p>\n

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No\u00e9mie Etienne and Nadia Radwan (ed.), “The Art of Diorama (1700-2000),” Culture et Mus\u00e9es, <\/em>32, 2018.<\/a><\/p>\n

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Claire Brizon, Voyageurs, naturalistes et militaires. Des collectes dans les \u00eeles du Pacifique et de l\u2019oc\u00e9an Indien aux r\u00e9serves du Mus\u00e9e cantonal d\u2019arch\u00e9ologie et d\u2019histoire \u00e0 Lausanne,<\/em> Special issue of Patrimoines. Collections Cantonales vaudoises<\/em>, 2019.<\/p>\n

More here.<\/a><\/p>\n

Download<\/a>.<\/p>\n

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Claire Brizon, with Claude Leuba and Lionel Pernet, “Mus\u00e9e cantonal d’Arch\u00e9ologie et d’Histoire, Lausanne,” in Collecting in the South Sea. The Voyage of Bruni d\u2019Entrecasteaux 1791-1794.<\/p>\n

Edited by Bronwen Douglas, Fanny Wonu Veys, and Billie Lythberg, Leiden, Sidestone Press, 2018, pp. 176-184.<\/p>\n

Download.<\/a><\/p>\n

Read online.<\/a><\/p>\n

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Claire Brizon, \u201cFran\u00e7ois Aim\u00e9 Louis Dumoulin, ou les images d\u2019un Suisse aux Cara\u00efbes,\u201d\u00a0Journal18\u00a0<\/em>(December 2018).<\/p>\n

Read online.<\/a><\/p>\n

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No\u00e9mie Etienne, “Transaction and Translation. The Trade in Non-European Artefacts in Paris and Versailles, 1750-1800,” in B\u00e9n\u00e9dicte Savoy, Charlotte Guichard, Christine Howald (eds.),\u00a0Acquiring Cultures. Histories of World Art on Western Markets,\u00a0<\/em>Berlin, De Gruyter, 2018, pp. 15-30.<\/p>\n

Download.<\/a><\/p>\n

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Sara Petrella and Aldo Trucchio, “To the Far Reaches of Barbary…,” Arts et Cultures, <\/em>Barbier M\u00fcller Museum, 2018, pp. 200-207.<\/p>\n

Download.<\/a><\/p>\n

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Claire Brizon, “De la collecte \u00e0 l\u2019usage : Les artefacts du cabinet de l\u2019Acad\u00e9mie de Lausanne au 18e<\/sup> si\u00e8cle,” Colligo<\/em>, June 2018.<\/em><\/p>\n

Read online.<\/a><\/p>\n

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No\u00e9mie Etienne and Chonja Lee, “L\u00fcster, Lack und Liotard: Techniken und Texturen zwischen Asien und Europa”<\/a> in Kunst + Architektur in der Schweiz<\/em> (Chinoiserie), Bern: Gesellschaft f\u00fcr Schweizerische Kunstgeschichte, 2018\/1, pp. 4\u201311.<\/p>\n

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Philippe Borgeaud et Sara Petrella, Le singe de l’autre. Du sauvage am\u00e9ricain \u00e0 l’histoire compar\u00e9e des religions, Paris, Editions des Cendres,<\/a> 2017, 128p.<\/span><\/p><\/div>\n

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Things between Worlds. Creating Exoticism and Authenticity in the West, from the 19th Century to the Present,<\/em> edited by No\u00e9mie, Etienne, in collaboration with Manuel Charpy, Material Culture Review<\/em>, Cap Breton University (Canada), no. 79, 2014, 114p.<\/span><\/p><\/div>\n

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No\u00e9mie Etienne and Donatella Bernardi (ed.), X,Z,Y, Eternal Tour,<\/em> Neuch\u00e2tel, Gilles Attinger, 2009, 248p.<\/span><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

No\u00e9mie Etienne, Claire Brizon, Chonja Lee, Etienne Wismer (dir.), Une Suisse exotique? Regarder l’ailleurs au si\u00e8cle des Lumi\u00e8res, Zurich, Diaphanes, 2020, 376p. No\u00e9mie…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11"}],"version-history":[{"count":66,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":2787,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages\/11\/revisions\/2787"}],"wp:attachment":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}