{"id":53,"date":"2016-09-28T15:00:13","date_gmt":"2016-09-28T15:00:13","guid":{"rendered":"http:\/\/theexotic.ch\/?page_id=53"},"modified":"2023-01-27T21:22:46","modified_gmt":"2023-01-27T19:22:46","slug":"events","status":"publish","type":"page","link":"https:\/\/theexotic.ch\/?page_id=53","title":{"rendered":"Events"},"content":{"rendered":"<p><strong>Conservations divergentes. Pr\u00e9servation et transmission des collections coloniales en d\u00e9bat<\/strong><\/p>\n<p>Institut National d&#8217;Histoire de l&#8217;Art, Paris, 12 d\u00e9cembre 2022<\/p>\n<p>Co-organis\u00e9 avec Lotte Arndt (Paris\/Berlin)<\/p>\n<p>Watch on youtube:<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/kAC1b0eMWXM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Rencontre internationale | Conservations divergentes - Introduction 1\/4\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/k-JEXsCmsEs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Rencontre internationale | Conservations divergentes - les mus\u00e9es comme lieux de rapprochement 4\/4\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/9tTZ9tss7gw?start=2435&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Rencontre internationale | Conservations divergentes - Au-del\u00e0 de l&#39;objectivation 3\/4\"><\/iframe><\/p>\n<p>And Rosanna Raymond&#8217;s performance : <a href=\"https:\/\/vimeo.com\/793393433\">https:\/\/vimeo.com\/793393433<\/a><\/p>\n<p>Voir l&#8217;agenda de l&#8217;INHA. <a href=\"https:\/\/agenda.inha.fr\/events\/conservations-divergentes-preservation-et-transmission-des-collections-de-provenance-coloniale-en-debat\">https:\/\/agenda.inha.fr\/events\/conservations-divergentes-preservation-et-transmission-des-collections-de-provenance-coloniale-en-debat<\/a><\/p>\n<p>Photo: Rosanna Raymond \u00a9Stefan Marks<\/p>\n<hr \/>\n<p><strong>Absences and Fragments. An exhibition and a festival, Oct. 6 &#8211; Oct. 16, 2021.<\/strong><\/p>\n<p>See full Program <a href=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/FA-Programm-lang-1.pdf\">here<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-2581\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/Fragments-Absences-quer-1-1024x724.jpg\" alt=\"\" width=\"900\" height=\"636\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/Fragments-Absences-quer-1-1024x724.jpg 1024w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/Fragments-Absences-quer-1-300x212.jpg 300w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/Fragments-Absences-quer-1-768x543.jpg 768w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/Fragments-Absences-quer-1.jpg 1191w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-2582\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/FA-Programm-kurzPNG-724x1024.png\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/FA-Programm-kurzPNG-724x1024.png 724w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/FA-Programm-kurzPNG-212x300.png 212w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/09\/FA-Programm-kurzPNG-768x1087.png 768w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/p>\n<hr \/>\n<p><strong>Global Provenance, Jan. 21 &#8211; Feb. 2, 2021.<\/strong><\/p>\n<p>See the Program <a href=\"http:\/\/www.palaisderumine.ch\/expositions\/exotic\/provenance-globale\/\">here<\/a>.<\/p>\n<p>Watch the full videos below.<\/p>\n<p>&nbsp;<\/p>\n<p>Welcome from the Organizers \/ Introduction<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/xz9_QtO-D3s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Provenance Globale \u2014 Introduction\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Keynote Interview: Kristen Carpenter<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/gIGVzumpYVY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Global Provenance 21.01.21, Human Rights and Museums \u2014 Kristen Carpenter\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Swiss Provenance Research and Colonial Contexts<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/-6ZCRtneQJw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Global Provenance 27.01.21, Recherche en provenance suisse et contextes coloniaux \u2014 Introduction\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Practicing Provenance Research<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/9BpRCssUtUw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Global Provenance 28.01.21 \u2014 Webinaire 1 \u2014 Introduction\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Creating and Exhibiting: Reparation in action?<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/ACLX47ORbPY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Global Provenance 28.01.21 \u2014 Webinaire 2 \u2014 Introduction\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Collaborating: For Whose Benefit?<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/rKNdKQzSXc8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Global Provenance 02.02.21 \u2014 Webinaire 3 \u2014 Introduction\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Returning: From Causes to Consequences<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/c3tqvsnQkJw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Global Provenance 02.02.21 \u2014 Webinaire 4 \u2014 Introduction\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Swiss Art and\/in the World: Feb. 18 &amp; 19, 2021.<\/strong><\/p>\n<p>See the Program <a href=\"http:\/\/theexotic.ch\/?p=2381\">here<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-2384\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2021\/02\/IMG_9151-1024x683.jpg\" alt=\"\" width=\"900\" height=\"600\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/02\/IMG_9151-1024x683.jpg 1024w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/02\/IMG_9151-300x200.jpg 300w, https:\/\/theexotic.ch\/wp-content\/uploads\/2021\/02\/IMG_9151-768x512.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>Image Credits: Fabien Clerc, <em>Souvenirs d\u2019Ha\u00efti<\/em> (detail), 2020, Limoges porcelain.<br \/>\nPhoto: Nathalie Rebholz<\/p>\n<p>Watch the full video below.<\/p>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/-cjk6jYc6GY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen title=\"Colloque Swiss art and\/in the world \u2014 18.02.21, Jour 1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Switzerland and Slavery: A roundtable, Jan. 22, 2021.<\/strong><\/p>\n<p>Watch the full video here:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/504321373?h=d059d11e3c&amp;dnt=1&amp;app_id=122963\" width=\"900\" height=\"506\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen title=\"L&amp;rsquo;esclavage et la Suisse, d&amp;rsquo;hier &amp;agrave; aujourd&amp;rsquo;hui\"><\/iframe><\/p>\n<p><strong>&#8212;<\/strong><\/p>\n<p><strong>(Historian) Uses of Objects<\/strong><br \/>\nLecture Serie at the Institut National d&#8217;Histoire de l&#8217;art, Paris, 2019-2020<\/p>\n<p>Co-organized with Manuel Charpy<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1843 alignleft\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2019\/09\/Capture-d\u2019e\u0301cran-2019-09-14-a\u0300-17.24.19-300x212.png\" alt=\"\" width=\"726\" height=\"513\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2019\/09\/Capture-d\u2019e\u0301cran-2019-09-14-a\u0300-17.24.19-300x212.png 300w, https:\/\/theexotic.ch\/wp-content\/uploads\/2019\/09\/Capture-d\u2019e\u0301cran-2019-09-14-a\u0300-17.24.19-768x543.png 768w, https:\/\/theexotic.ch\/wp-content\/uploads\/2019\/09\/Capture-d\u2019e\u0301cran-2019-09-14-a\u0300-17.24.19-1024x724.png 1024w, https:\/\/theexotic.ch\/wp-content\/uploads\/2019\/09\/Capture-d\u2019e\u0301cran-2019-09-14-a\u0300-17.24.19.png 1894w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2019\/09\/s\u00e9minaire-oct-2019.pdf\">Download Program.<\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>&#8211;<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1379\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2018\/09\/Capture-d\u2019e\u0301cran-2018-09-10-a\u0300-17.47.13-300x212.png\" alt=\"\" width=\"700\" height=\"495\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2018\/09\/Capture-d\u2019e\u0301cran-2018-09-10-a\u0300-17.47.13-300x212.png 300w, https:\/\/theexotic.ch\/wp-content\/uploads\/2018\/09\/Capture-d\u2019e\u0301cran-2018-09-10-a\u0300-17.47.13-768x543.png 768w, https:\/\/theexotic.ch\/wp-content\/uploads\/2018\/09\/Capture-d\u2019e\u0301cran-2018-09-10-a\u0300-17.47.13-1024x724.png 1024w, https:\/\/theexotic.ch\/wp-content\/uploads\/2018\/09\/Capture-d\u2019e\u0301cran-2018-09-10-a\u0300-17.47.13.png 1904w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><strong>&#8220;From B to X. Making Art (History) since John Berger,&#8221; International Conference at SIK-ISEA, in collaboration with Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, October 11-12, 2018.<\/strong><\/p>\n<div id=\"entry-content\" class=\"entry-content\">\n<p><a href=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2018\/09\/SIK_BX_DEF_30081811.pdf\">Download Program.<\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1116\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2018\/03\/Capture-d\u2019e\u0301cran-2018-03-28-a\u0300-12.04.22-250x300.png\" alt=\"\" width=\"586\" height=\"703\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2018\/03\/Capture-d\u2019e\u0301cran-2018-03-28-a\u0300-12.04.22-250x300.png 250w, https:\/\/theexotic.ch\/wp-content\/uploads\/2018\/03\/Capture-d\u2019e\u0301cran-2018-03-28-a\u0300-12.04.22.png 643w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/p>\n<p><strong>Image, Object, Text. <\/strong><strong>Visuality, Materiality, and Knowledge Production since the 16th Century.<br \/>\n<\/strong><strong>An Interdisciplinary Doctoral Workshop<br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2018\/03\/ImageObjectText_Unibe_Flyer.pdf\">Download Program. <\/a><\/p>\n<p><u>Venue<\/u>: April 19-20th 2018 at the University of Bern<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-883\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2016\/09\/AFFICHE_CIRCULATING_CRAFTS_LAST-212x300.jpg\" alt=\"\" width=\"692\" height=\"980\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/09\/AFFICHE_CIRCULATING_CRAFTS_LAST-212x300.jpg 212w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/09\/AFFICHE_CIRCULATING_CRAFTS_LAST-768x1086.jpg 768w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/09\/AFFICHE_CIRCULATING_CRAFTS_LAST-724x1024.jpg 724w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/p>\n<p><strong>&#8220;Circulating Craft. Art, Agency, and the Making of Identities (1600-2000),&#8221;<\/strong><\/p>\n<p>Two Parts Conference: January 24 , 2018, Workshop at La Colonie, Paris;<\/p>\n<p>February 20 2018, CAA Panel Session in Los Angeles, with Ya\u00eblle Biro (Metropolitan Museum of Art, NYC)<\/p>\n<hr \/>\n<p><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-146\" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-280x300.jpg\" alt=\"\" width=\"675\" height=\"723\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-280x300.jpg 280w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-768x822.jpg 768w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern.jpg 800w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-147 \" src=\"http:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-Programme.png\" alt=\"conference-diorama-bern-programme\" width=\"674\" height=\"1008\" srcset=\"https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-Programme.png 800w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-Programme-201x300.png 201w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-Programme-768x1149.png 768w, https:\/\/theexotic.ch\/wp-content\/uploads\/2016\/10\/Conference-Diorama-Bern-Programme-684x1024.png 684w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><strong>&#8220;Seeing Trough? The Materiality of Dioramas, 1700-2000,&#8221; International Conference, with Nadia Radwan, University of Bern, December 1 and 2, 2016.\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conservations divergentes. Pr\u00e9servation et transmission des collections coloniales en d\u00e9bat Institut National d&#8217;Histoire de l&#8217;Art, Paris, 12 d\u00e9cembre 2022 Co-organis\u00e9 avec Lotte Arndt&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/no-sidebar.php","meta":{"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53"}],"version-history":[{"count":88,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":2777,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions\/2777"}],"wp:attachment":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}