{"id":1145,"date":"2018-03-30T14:45:17","date_gmt":"2018-03-30T12:45:17","guid":{"rendered":"http:\/\/theexotic.ch\/?p=1145"},"modified":"2018-03-30T15:43:56","modified_gmt":"2018-03-30T13:43:56","slug":"new-publication-luster-lack-und-liotard-by-noemie-etienne-and-chonja-lee-chinoiserie-kunst-und-architektur-in-der-schweiz-2018","status":"publish","type":"post","link":"https:\/\/theexotic.ch\/?p=1145","title":{"rendered":"New Publication! L\u00fcster, Lack und Liotard,  by No\u00e9mie Etienne and Chonja Lee. Spring 2018."},"content":{"rendered":"<p><a href=\"https:\/\/www.academia.edu\/36136792\/L%C3%BCster_Lack_und_Liotard_Techniken_und_Texturen_zwischen_Asien_und_Europa\">No\u00e9mie Etienne and Chonja Lee, &#8220;L\u00fcster, Lack und Liotard. Techniken und Texturen zwischen Asien und Europa,&#8221; in: Chinoiserie, <em>Kunst und Architektur in der Schweiz,<\/em> 2018, pp. 4-11.<\/a><\/p>\n<p>French Summary: A l\u2019aide d\u2019exemples provenant des domaines des arts d\u00e9coratifs et des beaux-arts, nous montrons que la brillance des surfaces devient l\u2019un des enjeux majeurs de l\u2019\u00e9conomie des chinoiseries. Les artisans et les artistes suisses ont connaissance des porcelaines, des laques et des textiles qui se diffusent partout en Europe. Leur circulation est li\u00e9e aux ambitions diplomatiques et \u00e9conomiques des pays impliqu\u00e9s (Chine, Japon, Siam, France, Allemagne, Angleterre, Hollande\u2026). En Europe il s\u2019agit d\u00e8s lors de maitriser ces techniques pour les d\u00e9velopper et les commercialiser. De plus, les acteurs cherchent \u00e0 traduire leur brillance et leur texture dans diff\u00e9rents m\u00e9dias : les objets import\u00e9s de Chine ou du Japon transforment ainsi l\u2019univers sensoriel en Europe, stimulant l\u2019imitation de certaines mati\u00e8res et rendus plastiques, tels le luisant et le nacr\u00e9. Par exemple, dans la Nature morte du Getty, le peintre genevois Jean-Etienne Liotard se confronte directement aux propri\u00e9t\u00e9s mat\u00e9rielles et aux formes des laques asiatiques, introduisant un nouvel horizon visuel et tactile en Europe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No\u00e9mie Etienne and Chonja Lee, &#8220;L\u00fcster, Lack und Liotard. Techniken und Texturen zwischen Asien und Europa,&#8221; in: Chinoiserie, Kunst und Architektur in der&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1146,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts\/1145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1145"}],"version-history":[{"count":4,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts\/1145\/revisions"}],"predecessor-version":[{"id":1160,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts\/1145\/revisions\/1160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/media\/1146"}],"wp:attachment":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}