{"id":1959,"date":"2020-01-13T15:21:48","date_gmt":"2020-01-13T13:21:48","guid":{"rendered":"http:\/\/theexotic.ch\/?p=1959"},"modified":"2020-01-13T18:10:16","modified_gmt":"2020-01-13T16:10:16","slug":"article-in-la-presse-canada-on-noemie-etiennes-new-book-dec-29-2019","status":"publish","type":"post","link":"https:\/\/theexotic.ch\/?p=1959","title":{"rendered":"Article in La Presse, Canada, on No\u00e9mie Etienne&#8217;s New Book, Dec. 29, 2019."},"content":{"rendered":"<article class=\"mainStory mainContent__story\" data-location=\"story\">\n<header class=\"mainContent__storyHeader\">\n<p class=\"headlines titleModule\"><a href=\"https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255223-diorama-lavis-dune-specialiste-des-dioramas.php\">https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255223-diorama-lavis-dune-specialiste-des-dioramas.php<\/a><\/p>\n<p><a href=\"https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255225-diorama-quand-un-musee-corrige-ses-oeuvres.php\">https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255225-diorama-quand-un-musee-corrige-ses-oeuvres.php<\/a><\/p>\n<h1 class=\"headlines titleModule\"><span class=\"title titleModule__main\">Diorama: l\u2019avis d\u2019une sp\u00e9cialiste des\u00a0dioramas <\/span><\/h1>\n<div class=\"visual photoModule\">\n<figure><img decoding=\"async\" class=\"photoModule__visual\" src=\"https:\/\/mobile-img.lpcdn.ca\/lpca\/924x\/r3996\/2d53deac-29e5-11ea-82bb-0eda3a42da3c.jpg\" alt=\"\" \/><figcaption>\n<p class=\"credit photoModule__caption photoModule__caption--credit\">PHOTO FRAN\u00c7OIS ROY, ARCHIVES LA PRESSE<\/p>\n<p class=\"description photoModule__caption photoModule__caption--description\"><em>Nativity Scene<\/em> (2017) de Kent Monkman montre un mannequin repr\u00e9sentant\u2028la Vierge Marie v\u00eatue d\u2019un chandail des Blackhawks de Chicago, tandis que l\u2019enfant\u2028J\u00e9sus est couch\u00e9 sur une couverture de La Baie.<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<\/header>\n<div class=\"articleBody\">\n<p class=\"lead textModule textModule--type-lead\">No\u00e9mie \u00c9tienne se passionne pour les dioramas. Professeure \u00e0 l\u2019Universit\u00e9 de Berne, en Suisse, elle publie en janvier <em>Les autres et les anc\u00eatres<\/em>, aux Presses du\u00a0r\u00e9el.<\/p>\n<div class=\"datewrapper\">\n<div class=\"dates\"><span class=\"created\"> <time datetime=\"2019-12-29T09:00:00-05:00\"> <span class=\"publicationsDate--type-publication\">Publi\u00e9 le 29 d\u00e9cembre 2019 \u00e0 9h00<\/span> <\/time> <\/span><\/div>\n<\/div>\n<p class=\"author authorModule\"><img decoding=\"async\" src=\"https:\/\/mobile-img.lpcdn.ca\/lpca\/100\/19500607-347e-11e9-9f79-0e7266730414.jpg\" alt=\"Marie Allard\" \/> <span class=\"name authorModule__name\">Marie Allard<\/span><br \/>\n<span class=\"organization authorModule__organisation authorModule__organisation--size-small organization--size-small\">La Presse<\/span><\/p>\n<p class=\"paragraph textModule textModule--type-paragraph\">Cet essai porte sur les dioramas du d\u00e9but du XX<sup>e<\/sup>\u00a0si\u00e8cle, aux \u00c9tats-Unis. L\u2019ajout d\u2019\u00e9tiquettes explicatives sur l\u2019<em>Old New York Diorama<\/em>, au Mus\u00e9e am\u00e9ricain d\u2019histoire naturelle, est \u00ab\u00a0int\u00e9ressant comme proposition\u00a0\u00bb, selon\u00a0elle.<\/p>\n<div class=\"visual photoModule\">\n<figure><img decoding=\"async\" class=\"photoModule__visual\" src=\"https:\/\/mobile-img.lpcdn.ca\/lpca\/924x\/44b33c97-29e5-11ea-82bb-0eda3a42da3c.jpg\" alt=\"\" \/><figcaption>\n<p class=\"credit photoModule__caption photoModule__caption--credit\">PHOTO FOURNIE PAR\u00a0NO\u00c9MIE \u00c9TIENNE<\/p>\n<p class=\"description photoModule__caption photoModule__caption--description\">\u00ab\u00a0Les dioramas fabriquent une histoire qui est toujours historiquement et politiquement situ\u00e9e\u00a0\u00bb, dit No\u00e9mie \u00c9tienne, professeure \u00e0 l\u2019Universit\u00e9 de Berne, en\u00a0Suisse.<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"quote\">\n<div>\n<p class=\"quoteText\">Comme tous les dispositifs d\u2019exposition, les\u00a0dioramas ne sont pas neutres. Ils pr\u00e9sentent une perspective qui peut \u00eatre biais\u00e9e et blessante. Ils sont n\u00e9anmoins le produit d\u2019une collaboration \u00e9troite entre diff\u00e9rents peintres, sculpteurs, anthropologues et artisans.<\/p>\n<\/div>\n<p class=\"quoteSource\">No\u00e9mie \u00c9tienne<\/p>\n<\/div>\n<p class=\"paragraph textModule textModule--type-paragraph\">\u00ab\u00a0Les d\u00e9manteler \u00e9quivaut \u00e0 les effacer, mais ne r\u00e9pare pas l\u2019histoire, croit la professeure. Un travail de fond doit \u00eatre effectu\u00e9 dans les mus\u00e9es qui les conservent. \u00c0 mon sens, les contextualiser de mani\u00e8re critique est plus efficace pour comprendre leur dimension probl\u00e9matique, susciter la discussion et proposer des lectures alternatives.\u00a0\u00bb<\/p>\n<h3 class=\"textModule textModule--type-subhead\">Dioramas \u00ab\u00a0alternatifs\u00a0\u00bb<\/h3>\n<p class=\"paragraph textModule textModule--type-paragraph\">Des dioramas offrant d\u2019autres perspectives existent d\u00e9j\u00e0. \u00ab\u00a0Le National Great Blacks in Wax Museum, \u00e0 Baltimore, ou le Mashantucket Pequot Museum, au Connecticut, sont des mus\u00e9es qui utilisent les dioramas pour raconter des histoires diff\u00e9rentes\u00a0: traite des esclaves, colonisation, etc.\u00a0\u00bb, illustre No\u00e9mie \u00c9tienne. Ces mus\u00e9es pr\u00e9sentent respectivement l\u2019histoire des Afro-Am\u00e9ricains et du peuple am\u00e9rindien Pequot.<\/p>\n<div class=\"visual photoModule\">\n<figure><img decoding=\"async\" class=\"photoModule__visual\" src=\"https:\/\/mobile-img.lpcdn.ca\/lpca\/924x\/e2a51838-29e5-11ea-82bb-0eda3a42da3c.jpg\" alt=\"\" \/><figcaption>\n<p class=\"credit photoModule__caption photoModule__caption--credit\">PHOTO TIR\u00c9E DE L\u2019INTERNET<\/p>\n<p class=\"description photoModule__caption photoModule__caption--description\"><em>Les autres et les anc\u00eatres. Les dioramas de Franz Boas et d\u2019Arthur C. Parker \u00e0 New York, 1900.<\/em> No\u00e9mie \u00c9tienne, Les Presses du r\u00e9el, \u00e0 para\u00eetre<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph textModule textModule--type-paragraph\">Des artistes contemporains se sont aussi empar\u00e9s du diorama. C\u2019est le cas de Kent Monkman, artiste canadien d\u2019ascendance crie, \u00ab\u00a0qui r\u00e9alise des installations reprenant les codes de ce dispositif\u00a0\u00bb, note la professeure.<\/p>\n<div id=\"div_telaria_outstream\" class=\"slimcut\"><\/div>\n<p class=\"paragraph textModule textModule--type-paragraph\">Sa <em>Nativity Scene<\/em> (2017) montre un mannequin repr\u00e9sentant la Vierge Marie v\u00eatue d\u2019un chandail des Blackhawks de Chicago, tandis que l\u2019enfant J\u00e9sus est couch\u00e9 sur une couverture de La Baie.<\/p>\n<p class=\"paragraph textModule textModule--type-paragraph\">Cette installation a fait partie de l\u2019exposition <em>Honte et pr\u00e9jug\u00e9s\u00a0: Une histoire de r\u00e9silience<\/em>, pr\u00e9sent\u00e9e au mus\u00e9e McCord, \u00e0 Montr\u00e9al, plus t\u00f4t en 2019.<\/p>\n<\/div>\n<\/article>\n<p>https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255223-diorama-lavis-dune-specialiste-des-dioramas.php<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255223-diorama-lavis-dune-specialiste-des-dioramas.php https:\/\/www.lapresse.ca\/arts\/arts-visuels\/201912\/28\/01-5255225-diorama-quand-un-musee-corrige-ses-oeuvres.php Diorama: l\u2019avis d\u2019une sp\u00e9cialiste des\u00a0dioramas PHOTO FRAN\u00c7OIS ROY, ARCHIVES LA PRESSE Nativity Scene (2017) de Kent Monkman montre un mannequin repr\u00e9sentant\u2028la&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1960,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts\/1959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1959"}],"version-history":[{"count":6,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts\/1959\/revisions"}],"predecessor-version":[{"id":1970,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/posts\/1959\/revisions\/1970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=\/wp\/v2\/media\/1960"}],"wp:attachment":[{"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theexotic.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}